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其实诺兰在黑暗骑士中使用小丑的力度刚刚好,主动自发,逻辑自洽,形象鲜明饱满,不需要交代前因后果,却留下微妙和神秘的空间可以想象和呼吸,因为小丑的存在,诺兰的哥谭市也就有了复杂性与丰富性。如果真要为这么极端的角色做一个电影,那么就要特别谨慎,比如至少应该首先厘清小丑诞生的真正动力到底是由理性分析导出的阶级压迫还是原生性精神疾病吧?比如有必要在一个极端形象上这么紧贴政治正确的边儿同时又要强按观众的头去对号入座地理解各种隐喻吗?看这个片子最大的感受是演某类角色有可能对演员本人的身心伤害挺大的,把一个好演员丢在镜头下自生自灭“自残”为一个制作得如此浅薄的题材服务,我看的时候只觉得导演编剧你们忍心吗?所以反而扣一星。
醉拳甘乃迪
2024-11-22 11:26
改成了什么玩意儿,原著最有趣的就是推理到底回廊亭里的各位谁是凶手,改编得倒好,直接不用推理,随意把之前从未出现的人物甩出来就完事儿了,那前面10集到底在干什么?写爱情?权谋?全片不讲逻辑,不讲人物剧情的连贯,完全瞎来。四叔的细分最尬,台词也是极度要命,我天,真的太差劲了!
你捞痞子啊
2024-11-23 12:52
Reminiscent of 19th century social novels. Akahige tells the story of an upper-class doctor who goes through the life-changing experience of working in an overcrowded, low-budget clinic. He reluctantly comes in, self-centered and stubborn, but ends up abandoning his privileges to dedicate his life to curing the poor. It’s a movie with a strong progressive statement: the people’s health is first and foremost a social and political problem. Unfortunately, the message is hammered down with way more insistence and explicitness than needed, occasionally telling more than showing. On all other accounts, it splendidly delivers, from the subplots structure to the stellar photography & acting.
张志明
2024-11-23 06:23