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冷石
2024-11-21 11:53
张译现在对角色塑造的设计感有些刻意的过头，给人一种为人雕琢痕迹过多的违和感，也许是随着演员话语权变大，难以避免的出现创作欲望，但还没意识到或意识到但还没做好——创作要完整，既然做了就要做好——即设计凸出了之后，还要再打磨圆润，这点上卫国平比安欣有进步，丝滑了一些。另外，第6、7集卫国平其实已经是在很明显的诱供，我希望是为了真实展现那个时代特有的极其不良的暴力办案特色，而不是为了演绎角色情绪和心结，接受并敬佩其剧情编创的行为具备时代真实性的同时，也明白，这就是妥妥的黑警手段，没有程序正义的结果，如何大快人心也是恶行。7集目前最喜欢的是“二哥”，无论形象、体态、言谈举止都塑造的像极了彼时的刑警，其次是董宝华，黑、商、基层办事员一体，极具时代和地域特色。最恶心的是聂小雨救陈浩瀚后的一个龙傲天镜头，呕
话唠啦啦啦
2024-11-21 01:20
Coexistence of romanticism with Visconti's realism in a most natural & authentic blend. A fairly eventless dialogue-driven story takes two lonely hearts around a wonderful walk through the explicit reconstitution of a small Italian town by the sea, full of tiny bridges and narrow streets. A few uninspired dialogues contributed to a couple of bland moments, quickly eclipsed by a memorable & invirogorating dance scene to shake some waists up before an exceptional finale. In it the emotional outburst & heart-breaking separation are symbolized by the positioning of the characters in deep field and the travelled distance of the Eternal Woman from one man to the other. Deceit & Self-deceit...
7号
2024-11-21 03:26