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剑辉
2024-11-21 08:56
主要看罗云熙能不能带得动这个小弟弟。想看他演仙侠剧，耽改也行，但是原版小说到底要怎么演呢……罗云熙看原版小说的心路历程如何，真不敢想唉……咳咳
潜梦无生
2024-11-21 01:36
Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.
采采卷耳
2024-11-21 09:15
很喜欢，没做功课，没有预判，完全没想到镜头这么文艺，配乐这么惊悚，却是贪腐题材。似乎击中时政要害的剧情片不必都是韩式的硬汉、阴郁、大量微表情的特写镜头，不必。一开始以为是《放牛班的春天》式师生情谊和寓教于乐；之后又以为会是耶利内克式的《钢琴教师》，不伦之恋什么的；再往后走，大谈新闻伦理，是电影版《早间新闻》《聚焦》吗；镜头一转起底33年秘密同性夫夫，该不会来一段《湖畔的陌生人》或者《喜欢，轻吻，快跑》吧，都不是；好了，大家都投入大牢了，该轮到《傲骨之战》《律政俏佳人》什么的了，又都不是。狗血的人生是常态，真实的生活不会按剧本条理清楚往下走，现实是这样，你爱了，你出轨了，你贪污了，你找到同谋了，你被揭发了，你投入大牢了，没有人横空搭救你，这就叫“根据真实事件改编”。多线叙事，乱而有序。
嘎诚
2024-11-21 01:31